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There is no clear foundation; the film does not follow one character in particular.

Along with the disc, there is a multi-page foldout insert that contains a terrific essay by film scholar David Oubiña.That may spell disaster for the family at the center of the narrative, but it may also be the only way they will ever truly recognize the state in which they find themselves.And doom does come in an unexpected and ambiguous way.In another instance, danger lurks during an afternoon spent swimming at the dam, when the children hang languorously in the water while Indian boys hack away at catfish with their machetes just inches from the siblings' faces.Martel also achieves this sense of doom by depicting the house in a state of disarray and disrepair – a broken filter and water pump transform the once-cooling oasis of the swimming pool into a fetid pond of murky water and dead leaves.

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